What I am trying to do

Make work that feels bold, clear, and a little playful. No extra steps. No mystery meat.

I like making things that feel like real objects. Posters, VHS slip covers, weird little interfaces, and websites that look like a place you can hang out in.

My rule is simple. Design should communicate fast and feel intentional. If it does not help the message, it gets cut.

This identity is a small toolkit. Strong color, loud type, dark panels, and clean spacing. It keeps my projects consistent while still letting each one have its own personality.

The marks

The wordmark is the main character. The logomark is the backup plan.

Primary Wordmark

Use this when there is room

Primary wordmark

Logomark

Use this when things get tight

Logomark

How not to break it

Give it breathing room. Keep it readable. Do not get clever in the wrong places.

Clear Space

Minimum clear space is the height of the K

Clear space example

Rule of thumb. If it feels cramped, it is.

Minimum Size

Keep it sharp at small sizes

Minimum size example

Minimum height is 30px. If it is smaller, use text.

Three colors I actually use

Orange is the voice. Blue is the structure. Red is the punchline.

Orange

Primary

#FF6B00

Blue

Secondary

#0047AB

Red

Accent

#FF0000

The type vibe

Big headings. Clean body text. Easy to read, hard to ignore.

Bebas Neue

Display

Headings

DREW KAZANIS

PROJECT NOTES

SYSTEMS AND STORIES

Lato

Body

Paragraphs

This is what body copy looks like on my site. Clear, simple, and friendly.

Bold is for emphasis, not decoration.

If it is hard to scan, it is not done yet.

Where it shows up

This is the same system across posters, mockups, and web stuff. Just adjusted for the job.

Wall graphics mockup

Wall Graphics

Billboard mockup

Billboard

Marketing materials mockup

Marketing Materials